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About Wings At The Speed Of Sound (by Viktor Paedia) After a series of concerts in Australia in November 1975, Wings took a break from the tour to spend the holidays with their families and in January 1976 booked time at Abbey Road Studios in London to record Wings at the Speed of Sound. It was the first time McCartney had recorded an album in England since Red Rose Speedway. Due to the tour commitments, Wings was not afforded the opportunity to record in another different and exciting locale, preferring to work in a familiar environment. By the end of February, the album was complete, and Wings dutifully went back on the road. Around the time of the studio sessions for Wings at the Speed of Sound, McCartney was facing criticism for Wings simply being a vehicle for himself. He encouraged each of the band members to contribute a song during the sessions, though this would become one of the reasons for the criticism of the album. McCartney had previously attempted to create a democratic album in Red Rose Speedway, though it would be rejected by his record label. Wings at the Speed of Sound was released in late March to average reviews. Although the critics were not as enthusiastic as they had been for Band on the Run and Venus and Mars, the fans certainly were, sending the album to #2 in the UK, where it became the 4th best-selling album of 1976. It became McCartneys most successful US chart album, spending seven unconsecutive weeks at #1 throughout the summer (and blocking the Beatles then-new compilation Rock n Roll Music, which reached #2). Much of Wings at the Speed of Sounds success can be attributed to its two smash singles. Silly Love Songs, a response to his critics and one of McCartneys biggest hits, followed the album in April. It became one of 1976s biggest-selling singles. This was followed in July with Let Em In, which also scaled the singles charts. Amid all this, Wings finally went to North America for the Wings Over America Tour, playing McCartneys first shows there in ten years (after The Beatles last tour in 1966) to euphoric reaction; a few selections from Speed of Sound were included. |
| Song | Version | Comments | Date | ||
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| Maple Leaf Garden - Toronto, Canada, 05-09-1976 | |||||
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[01] Let Em In (take 1, sept 1975) 06:32
[02] The Note You Never Wrote (no strings) 04:19
[03] Shes My Baby (take 1) 03:21
[04] Beware My Love 05:44
All songs written and composed by Paul McCartney, except:
Wino Junko by Jimmy McCulloch/Colin Allen and
Time To Hide by Denny Laine.
[05] Wino Junko 05:21
[06] Silly Love Songs (no strings or horns) 05:55
[07] Time To Hide 04:39
[08] Must Do Something About It (Paul vocal) 03:33
[09] Beware My Love (complete instrumental, from acetate) 03:09
[10] Shes My Baby (version 2) 03:19
[11] Let Em In (Live) 04:22
[12] Time To Hide (Live ) 04:59
[13] Silly Love Songs (Live) 06:28
[14] Beware My Love (Live) 05:26
[15] Must Do Something About It (same as track 08, diff. EQ) 03:31
[16] Beware My Love (same as track 04, diff. EQ) 05:39
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Gatefold Cover
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Inner Art
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Booklet
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Inner Tray Art
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Comment
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The collated information is from hundreds of sources, I am unable to verify the accuracy of any information implied or provided .
I neither own these discs or know how to
obtain them , so any Corrections or New material is always appreciated.
This pages is a working document, last updated on the 07-Aug-2010
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