Granny Smith
(Love You To)

Cutting Date:
2 May 1966
Format:
7" Single Sided
Inscribed Text:
Cut By:
AC- Anthony Clark
Version:
Duration:
2:33
Source:
Bonhams
Disc I.D.
ACT-E115
Value:

£6,250 (2012)

Recording History / Epstein's EMI Acetate / Alternate EMI Acetate

NOTES

When the first 2:33 acetate appeared for sale in 2002, I thought that it was the rough mono remix given to George Harrison on
11 April 1966 without the edit piece intro with an incorrect date on this disc.

Well we now have another 'short' version this time from the 'Harrison Family' and it has the same date, if it was not for the provenance , I may have missed this as a different disc with the labels being so similar.

So is this RM3 the best remix from the 13 April, which may still include Paul's harmonies that didn't make the final mix, if so why was it cut so long after the event and then two of them. Clearly this is not one of the finished mixes that was released all we can hope is that one of the version becomes available.

When queried Bonhams have identified the audio as the commercial release without the intro.

Unfortunately the Bonham's description is of little help in confirming quality or content.

In 2016 an Italian seller on ebay offered a 7" acetate with a Buy it now price of £269 or best offer, with what appears to be a label copying the text of this 'Harrison' disc. They are also offering a 10" David Bowie, who died last week, acetate with the same EMI Label.

Chronology

Date
Value
Condition
Description
Comments
         
2012+ Please provide details
12 Dec 2012 Est £750-1,000   * Bonhams 19801 Lot 307
1966-2012       Harrison Family
8 Jun 1966   NEW CUT    
Reserve NOT met               *see FULL auction descriptions

2012 - Auction Info

Footnotes

  • The Beatles began work on this track on 11th April 1966 and as it was untitled at that stage, it was known as 'Granny Smith'. It became 'Love You To' nearer the release date, in August, of the album 'Revolver'.

    Literature: LEWISOHN, Mark Op. cit, 1992 p. 217

    Provenance: The Harrison Family Collection.

Lot heading

The Harrison Family Collection: Lots 300 to 313 are all items given by George Harrison to his brother, Harry, and other members of his family. The collection dates from the 1960s and 1970s and three items, in particular, represent important stages in George's career as one of the leading rock musicians of the 20th Century. Firstly, a black leather jacket comes from the period when the newly-named, and little-known, Beatles honed their skills in the clubs of Hamburg and Merseyside. The many hours they spent onstage, from the latter half of 1960 through to 1962, helped hone their musical skills and transformed them into a group poised on the brink of unimagined international fame. Acquired in Hamburg, George wore this jacket both on and offstage and it appears in many of the photographs taken of the group in those formative years. Early in 1962, manager Brian Espstein managed to persuade the group that the only way to progress in the music business was to 'smarten' themselves up, both in their choice of wardrobe and conduct onstage. Out went the leather jackets and trousers and rather sober, tailored suits became the new image. Following the group's phenomenal rise to stardom in 1963, their new look of Pierre Cardin-inspired suits with collarless jackets, worn with black Chelsea boots, widely influenced the clothing adopted by the teenagers of the day. The pair of 'Beatle' boots included in this collection are from the time when Beatlemania was at it height and, whilst various suits worn by the Beatles in 1963-1964 have been preserved, a pair of boots from this period are a rare survivor. After the Beatles broke up in 1970, George embarked on a new stage in his life as a solo artist. He got off to a flying start with the release, in 1971, of several hit singles and the triple-album 'All Things Must Pass'. This year also saw him, along with Ravi Shankar, organising the Concert For Bangladesh, the first rock concert staged to raise funds for humanitarian causes. Since the mid-1960s, George had become deeply interested in Eastern religion and music and this was his response to the suffering of the people of Bangladesh caused by both a devastating tropical cyclone and the effects of civil war. The Concert For Bangladesh was held at New York's Madison Square Garden and an orange shirt identical to that worn by George onstage is another highlight of the sale. Made by Nudie's of Hollywood, suppliers of Western-style clothing to the stars, the shirt bears a label with George's name and features the Hindu 'Om' symbol, to match those on the white suit George also wore for the concert. Other items in the collection reflect daily life as a Beatle, including demo recordings, Fan Club records given away at Christmas, a camera to record the madness surrounding the group from an insider's perspective and publicity photographs signed by George and with signatures of the other Beatles forged by him in an effort to keep up with the overwhelming demand for autographs.

 

Alternate Images

This Cut

Alternate Cut

Brian Epstein's Disc

New Disc

2016 ? Disc Info


ALL Pages, Data and Images are for REFERENCE PURPOSE ONLY.

The collated information is from hundreds of sources, I am unable to verify the accuracy of any information implied or provided .

I neither own these discs or know how to obtain them , so any Corrections or New material is always appreciated.

This page is a working document, last updated on the 21-Jan-2016

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