The Red Light's On 2 |
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Rear Tray |
In the spring of 1983, engineer John Barrett and disc jockey Roger Scott landed what many would consider a dream job: listening to Beatles studio session tapes in a mixing suite at Abbey Road. Barrett had been in charge of cataloging EMI's Beatles tape library for over a year, and Scott was brought in to assist him in shaping an audiovisual presentation for the public, The Beatles At Abbey Road.
As they auditioned various recordings, Barrett made cassette compilations of various outtakes, creating fresh stereo mixes from the multitracks. Scott also took the liberty of dubbing some session reels from start to finish, along with a few vintage mixes. The result was nearly eight hours of pristine-quality unreleased Beatle material which ended up on various bootlegs over the last 25 years: Ultra Rare Trax, Unsurpassed Masters, et al.
We have compiled ALL of the Barrett/Scott tapes here, straight from the vaults
to your ears. All that's missing are the low-fi offline "bag tapes"
recorded stealthily by Scott. Not only do those repeat much of this material,
they would interrupt what is a pleasant listening experience. The tapes have
been sorted in chronological order, speed-corrected, and edited for completeness
from various best sources. No noise reduction or equalization has been employed.
Sit back, relax, and for God's sake be quiet! The Red Light's On!
DISC TWO continues the often testy March 5, 1963 session with all thirteen takes of "Thank You Girl" (and two stereo mixes), plus the unused session for "One After 909." A couple of fake stereo mixes for "She Loves You" (done in 1966) lead us into a complete reel from September 12, 1963 - the lone surviving tape from the WITH THE BEATLES album sessions. The untrimmed stereo mix of "This Boy," an amazing pair of "Can't Buy Me Love" outtakes from Paris, and the April 16, 1964 session for "A Hard Day's Night" close out this chapter.
Song
|
Version | Comments | Date |
Source
|
||
1 |
2:10
|
Thank You Girl
| Take 1 |
| ||
2 |
2:34
| Take 2 |
| |||
Take 3 | ||||||
Take 4 | ||||||
3 |
2:06
| Take 5 |
| |||
4 |
2:20
| Take 6 |
| |||
5 |
0:45
| Take 7 |
| |||
Take 8 | ||||||
6 |
0:30
| Take 9 |
| |||
7 |
2:16
| Take 10 |
| |||
Take 11 | ||||||
Take 12 | ||||||
8 |
0:32
| Take 13 |
| |||
9 |
1:21
|
One After 909
| Take 1 | |||
10 |
2:54
| Take 2 | ||||
11 |
1:45
| Take 3 | ||||
12 |
2:32
| Take 4 | ||||
13 |
1:14
| Take 5 | ||||
14 |
2:57
| Edit Take 4+5 Barrett Mix | ||||
15 |
2:12
|
Thank You Girl
| Edit Take 14+30 |
+
| ||
16 |
2:06
| Take 30 | ||||
17 |
2:23
|
She Loves You
| RS1 | |||
18 |
2:27
| RS2 | ||||
19 |
0:34
|
Christmas Messages To Australia
| Take 1 | |||
20 |
0:56
| Take 2 | ||||
21 |
0:40
|
Open Message To Australia
| Take 1 | |||
22 |
0:35
|
Hold Me Tight
| Reh | |||
23 |
2:59
| Take 20 | ||||
Take 21 | ||||||
24 |
0:51
| Take 22 | ||||
25 |
3:05
| Take 23 | ||||
Take 24 | ||||||
26 |
0:05
| Reh | ||||
27 |
0:20
| Take 25 | ||||
28 |
2:40
| Take 26 | ||||
Reh | ||||||
29 |
0:15
| Take 27 | ||||
30 |
1:37
| Take 28 | ||||
31 |
2\;45
| Take 29 | ||||
32 |
2:47
|
Don't Bother Me
| Take 10 | |||
33 |
1:13
| Take 11 | ||||
Take 12 | ||||||
34 |
2:36
| Take 13 | ||||
35 |
2:35
|
This Boy
| T? RS15 | |||
36 |
2:13
|
Can't Buy Me Love
| Take 2 |
+
| ||
37 |
0:45
| Take 3 | ||||
38 |
2:29
|
A Hard Day's Night
| Take 1 | |||
39 |
2:54
| Take 2 | ||||
Take 3 | ||||||
Take 4 | ||||||
40 |
2:38
| Take 5 | ||||
41 |
4:30
| Take 6 | ||||
Take 7 | ||||||
42 |
2:30
| Take 8 | ||||
Take 9 |
Sources: |
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Studio Sessions, March 5 + September 12, 1963 Unknown Version | ||
Studio Sessions, March 5, Sept. 12, 1963 | ||
Another Sessions... Plus | ||
More Masters: | ||
Turn Me On Dead Man: The John Barrett Tapes | ||
Message to Australia | ||
Back Track | ||
Unsurpassed Masters Vol.7 | ||
Studio Sessions, 1964 |
Gatefold Cover
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Inner Art
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Booklet
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Inner Tray Art
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Comment
|
|
Y
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Y
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N
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N
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The collated information is from hundreds of sources, I am unable to verify the accuracy of any information implied or provided .
I neither own these discs or know how to
obtain them , so any Corrections or New material is always appreciated.
This pages is a working document, last updated on the 28-Dec-2009
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