March 5, 1963 plus The Decca Tape | ||||||||||||||||||||||||||||||||||||||||||||||||||||
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Cover | ||||||||||||||||||||||||||||||||||||||||||||||||||||
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Inside Cover |
Rear Tray | |||||||||||||||||||||||||||||||||||||||||||||||||||
The Decca session appears here 'speed Corrected' and in my opinion is clearer than on Yellow Dog's various releases, however I prefer 'Third Single Session' on Yellow Dog.
There are currently three alternate Vigotone Versions of this title all with different masterings excluding the CDR variations.
From Me To YouStudio Session 5 March 1963 | |||||
| Orig | Remaster | CDR | Version | Comments | |
| 1 | 1:29 | 1:30 | Take 1 | BD | |
| 2 | 1:58 | 2:00 | Take 2 | ||
| 3 | 1:50 | 1:53 | Take 3 | ||
| 4 | 1:48 | 1:51 | Take 4 | ||
| 5 | 2:13 | 2:15 | Take 5 | ||
| 6 | 2:12 | 2:15 | Take 6 | FS | |
| Take 7 | |||||
| 7 | 2:11 | 2:11 | Take 8a tr2 | SI of harmonies | |
| 8 | 0:18 | 0:19 | Take 8b | Edit Piece 1 | |
| 9 | 0:29 | 0:29 | Take 9 | Edit Piece 2 | |
| 10 | 0:12 | 0:12 | Take 10 | Edit Piece 3 | |
| 11 | 0:21 | 0:21 | Take11 | Edit Piece 4 | |
| 12 | 0:09 | 0:09 | Take 12 | Edit Piece 5 | |
| 13 | 0:22 | 0:19 | Take 13 | Edit Piece 6 | |
Thank You GirlStudio Session 5 March 1963 | |||||
| Orig | Remaster | CDR | Version | Comments | |
| 14 | 2:05 | 2:08 | Take 1 | ||
| 15 | 0:15 | 0:33 | Take 2 | FS | |
| Take 3 | FS | ||||
| 16 | 1:58 | 2:01 | Take 4 | ||
| 17 | 2:03 | 2:05 | Take 5 | ||
| 18 | 2:17 | 2:19 | Take 6 | ||
| 19 | 0:15 | 0:16 | Take 7 | Edit Piece | |
| 20 | 0:29 | 0:28 | Take 8 | Edit Piece | |
| 21 | 0:30 | 0:31 | Take 9 | Edit Piece | |
| 22 | 0:35 | 0:35 | Take 10 | Edit Piece | |
| 23 | 0:46 | 0:46 | Tale 11 | Edit Piece | |
| 24 | 0:55 | 0:55 | Take 12 | Edit Piece | |
| 25 | 0:31 | 0:29 | Take 13 | Edit Piece | |
The One After 909Studio Session 5 March 1963 | |||||
| Orig | Remaster | CDR | Version | Comments | |
| 26 | 1:21 | 1:23 | Take 1 | BD | |
| 27 | 2:57 | 2:57 | Take 2 | ||
| 28 | 1:50 | 1:39 | Take 3 | BD | |
| 29 | 2:33 | 2:40 | Take 4 | BD | |
| 30 | 1:17 | 1:15 | Take 5 | Edit Piece | |
Decca Session 1 Jan 1962 | |||||
| Orig | Remaster | CDR | Song | Comments | |
| 31 | 2:36 | 2:36 | Like Dreamers Do | ||
| 32 | 2:25 | 2:25 | Money | ||
| 33 | 2:38 | 2:38 | To Know Her Is To Love Her | ||
| 34 | 2:23 | 2:23 | Memphis | ||
| 35 | 3:01 | 3:02 | Till There Was You | ||
| 36 | 2:04 | 2:04 | Sure To Fall | ||
| 37 | 2:42 | 2:42 | Besame Mucho | ||
| 38 | 1:54 | 1:54 | Love Of The Loved | ||
| 39 | 1:41 | 1:41 | Hello Little Girl | ||
| 40 | 2:26 | 2:26 | Three Cool Cats | ||
| 41 | 1:56 | 1:56 | September In The Rain | ||
| 42 | 2:29 | 2:29 | Take Good Care Of My Baby | ||
| 43 | 2:05 | 2:05 | Crying Waiting Hoping | ||
| 44 | 1:43 | 1:43 | The Sheik Of Araby | ||
| 45 | 3:07 | 3:05 | Searchin' | ||
Originals | |
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Original First PressingMatrix From Top: VIGO-123 NO Royalties NO Moulding SID |
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Remastered - ReissueMatrix : VT 123 NO Royalties NO Moulding SID Upgraded sound quality some tracks
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![]() | Gold CDR Reissue
Improved Image wanted |
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1998-2000 CDR ReissueMitsui Bar Code CDR
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Alternate 2000 CDR ReissueMitsui NON Bar code Unknown Mastering Improved Image wanted
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2001 Silver CDR ReissuePrinted SKC CDR Does this exist? Unknown Mastering
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FAKES | |
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European FAKENo
Beatles Image on DiscMatrix From Playing Surface: VIGO-123 Degraded
Artwork Copyright notice added to circumference of disc Alternate Mastering
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![]() | VT123 FAKENo Beatles Image on Disc Matrix
from Playing Surface: VT 123 Degraded Artwork Copyright notice added to circumference of disc Improved Image Please |
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Gatefold Cover |
Inner Art |
Booklet |
Inner Tray Art |
Comment | |
Y | Y | N | Y |
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Original"Complete Session Tape For The Third Single" Printed in Blue
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FAKECover : Black only text alternate font - look at the coma Rear+Slip : Very Fuzzy hard to read Disc: No Beatles on Disc - Small case letters in matrix |
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The collated information is from hundreds of sources, I am unable to verify the accuracy of any information implied or provided .
I neither
own these discs or know how to obtain them , so any Corrections or New material
is always appreciated.
This pages is a working document, last updated on the 14-Apr-2008
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